Szczecin Philharmonic

I first laid eyes upon Szczecin Philharmonic from the 11th floor of the Radisson Blu hotel in November 2016 (photo below). The building, which brings to mind an frost-covered mediaeval Hanseatic skyline, was designed by Studio Barozzi Veiga from Barcelona. It won the European Union Prize for Contemporary Architecture in 2015 and the Architectural Design of the Year prize in the Eurobuild Awards 2014 contest.

And now, a chance to see the building from the inside, and indeed to take in a concert, not just any concert, but the one inaugurating the 2026/2027 season. This consisted of three pieces; Beethoven's Egmont overture, Chopin's Piano Concerto No. 2 in F minor (which he composed at the age of 20!) and Sibelius's Symphony No. 2 in D major.

Below: the large spiral staircase that can handle peak audience flows between levels before and after performances and during the breaks.

Left: Architecture that seems to pre-shadow Warsaw's controversial contemporary arts museum in terms of their interiors (though it must be said, the exteriors differ as much as a Portakabin differs from a Gothic cathedral).

Below: the auditorium, which seats nearly 1,000 people, was expressly designed to deliver the most outstanding acoustic qualities. This was demonstrated by the guide dropping a one-grosz coin (weighing 1.6g) from the balcony onto the lower floor – the sound reverberated clearly around the concert hall. On either side of the ceiling are stowed thick black curtains (kotary) that drop down to cover the angled acoustic wall panels to prevent deafness when electrically-amplified music is being performed at eleven.

I was lucky enough to watch the concert from behind the orchestra, so for the first time I had the chance to watch an orchestral conductor at work from face-on, rather than just his back. It was a revelation; the gestures, the facial expressions – very powerful.

Below: general view of the foyer area, which possesses a worthy bar, serving a respectable variety of beverages including craft ales.

There were two exhibitions in galleries on the upper floors; one an entirely forgettable bunch of abstract paintings, the other an atmospheric black-and-white photo-reportage of charcoal burners in the Bieszczady hills taken by the Kumor family, Tomasz, Magdalena and their son Michał.

The Szczecin Philharmonic is an absolute must-experience venue for anyone visiting the city.

This time last year:
Compositions in reds, greens, whites and blues

This time ten years ago:
Low water mark

This time 15 years ago:
Łódź to Jeziorki by car in four hours
[See how Poland's road network has improved!]

This time 16 years ago:
What's new on the manor?

This time 17 years ago:
The funeral of Tadeusz Lesisz

This time 18 years ago:
Socialist realism in the boardroom